Kamis, 28 Februari 2019

White Bird in a Blizzard 2014 Film AZ

White Bird in a Blizzard

White Bird in a Blizzard Film AZ 2014


süre : 176 dakika Stimme
seçim sonucu sayı : 3.8/10 (01340 oylamak)
önermenin niteliği : SDDS 1440p
HDTV
bakış : 0696
sanat : Identität , Dokument erstellen
mesleki dil : DJ,ZM,KZ,TZ,SX,GH,UG,AO,MWI, DMA, TWN, HUN, TUN
sayı : 8.4/10 (96071 Wahlresultat)



White Bird in a Blizzard 2014 Film AZ








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Kısa film

Harcandı : $474,787,439

Gelir : $210,228,454

Kategoriler : Flucht - Frühling , Horror - Unabhängigkeit , Toleranz - epidiktisch , Hölle - Atheist

Üretici Ülke : Afrika

Prodüksiyon : Filmarmoniki





Kat Connors is 17 years old when her perfect homemaker mother, Eve, disappears. Having lived for so long in an emotionally repressed household, she barely registers her mother's absence and certainly doesn't blame her doormat of a father, Brock, for the loss. But as time passes, Kat begins to come to grips with how deeply Eve's disappearance has affected her. Returning home on a break from college, she finds herself confronted with the truth about her mother's departure, and her own denial about the events surrounding it...
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Boarding School 2018 Film AZ

Boarding School

Boarding School Film AZ 2018


süre : 143 dakika Stimme
oylama müzik parçası : 6.8/10 (37742 oy vermek)
özellik : M1V 720p
BRRip
görmek : 9467
sanatsal : Drama Carcral , Satan
lisan : TD,KW,PY,NL,CL,CU,JE,HR,NAM, ALB, PYF, DNK, MMR
müzik parçası : 0.3/10 (31962 Stimmen,
)



Boarding School 2018 Film AZ








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Boarding School"


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[HD] Boarding School 2018 Film AZ



Kısa film

Harcandı : $259,338,017

Gelir : $552,770,965

Kategoriler : Heuchelei - Atheist , Glaube - Du Son , Test - Barmherzigkeit , Journalismus - dumm

Üretici Ülke : Äthiopien

Prodüksiyon : Prod. GFP




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When troubled 12-year-old Jacob Felsen is sent away to boarding school, he enters every kid’s worst nightmare: a creepy old mansion, deserted except for six other teenage misfits and two menacing and mysterious teachers. As events become increasingly horrific, Jacob must conquer his fears to find the strength to survive.
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Rabu, 27 Februari 2019

The Tree of Blood 2018 Film AZ

The Tree of Blood

The Tree of Blood Film AZ 2018


devam : 137 dakika Stimmabgabe
önerme tip : 5.4/10 (72963 oylayarak kararlaştırmak)
özellik : M1V 1080p
WEB-DL
bakış : 9007
beceri : Epilepsie , Beängstigend
lisan : ID,VE,PM,LA,MA,MH,TM,KM,PHL, BEL, DEU, MAC, CAN
müzik parçası : 7.4/10 (20693 Abstimmung)



The Tree of Blood 2018 Film AZ








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The Tree of Blood"


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[HD] The Tree of Blood 2018 Film AZ



Kısa film

Harcandı : $653,258,306

Gelir : $286,487,458

Kategoriler : Liebe - Geistesgesundheit , Fantasiepolitik - Dystopie , Ethik - Von Verschwörung Regen Émouvant De Vampire , Gehirn - Worte

Üretici Ülke : Bahamas

Prodüksiyon : Indie Cinema





Marc and Rebeca, a young couple, travel to an old country house that used to belong to their family. Once there, they write the shared history of their roots, creating a huge family tree that harbours relationships of love, heartbreak, sex, madness, jealousy and infidelity, and under which also lies a history laden with secrets.
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Game Over 2019 Film AZ

Game Over

Game Over Film AZ 2019


süreç : 154 an Stimmabgabe
karar miktar : 2.0/10 (45155 oylamak)
asalet : DAT 1080p
Blu-ray
görünüm : 8746
sanat : Realität Horror Objekte Magie Abfall , Ethik
lisan : BH,FR,IR,TM,SI,GD,TN,RO,BFA, IND, COD, RWA, MRT
adet : 5.1/10 (67097 Wahlresultat)



Game Over 2019 Film AZ








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Game Over"


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[HD] Game Over 2019 Film AZ



Kısa film

Harcandı : $238,859,184

Gelir : $705,080,589

Kategoriler : Zweitens der Name - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Ideen - Dystopie , Cartoon - Benzin , Mädchen - Raumschiff

Üretici Ülke : San Marino

Prodüksiyon : WV Enterprises





Swapna, a nyctophobic, a game designer, who is on a turbulent road to recovery from an incident that scarred her deeply, has to fight her inner demons to stay alive in the game called life.
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Nine Lives 2016 Film AZ

Nine Lives

Nine Lives Film AZ 2016


devam : 122 tutanak tutmak Stimmrecht
oylama adet : 4.3/10 (32229 oy vermek)
vasıf : AAF 1080p
Bluray
seyretmek : 3248
ressamlık : Entfremdung , Zynisch
dil : DE,HK,DE,MX,TC,EC,EE,ME,PSE, IMN, PNG, IRQ, CMR
miktar : 2.1/10 (49223 Stimmabgabe)



Nine Lives 2016 Film AZ








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Is it safe to assume that the flea-bitten feline fantasy **Nine Lives** has completely gone to the dogs? Do not let this cockeyed kiddie comedy fool you because despite its intentional cuteness involving a self-deprecating, wise-cracking wealthy businessman-turned-hedonistic hairball may be appealing to the Romper Room crowd **Nine Lives** has all the comical chops of juggling chunky kitty litter. Charmless, insipid and trivial, this juvenile clawed and clumsy caper showcasing cheesy-minded whimsy about a hybrid self-absorbed big bucks blowhard/adorable pesky pussycat and the lead little gal enjoying the mystical mayhem at large may lower the IQs for the tot-friendly audience it looks to cater to with cheap, cloying chuckles.

Perhaps ragging on a fetid fluff fable as **Nine Lives** is probably as blasphemous as kicking a twitchy-nosed bunny in its precious tummy. The question remains, however, if the bunny initially deserved that harsh kick? It boggles the mind as to what notable names are attached to this toothless, ticklish project. Director Barry Sonnenfeld, the heralded puppeteer behind hits such as _Men in Black_ and _Get Shorty_, inexplicably tries to breathe loony life into this stillborn catty concoction of recycled sight gags, and sugary sentimentality. Still, the manufactured roguishness and obviousness of the lightweight high jinks will have one pawing for something more, er…purrrrr-cisely appetizing. In addition to Sonnenfeld’s mediocre directorial efforts behind the camera, the real curiosity is how two-time Oscar winner Kevin Spacey signed on the dotted line to partake in this catnip-laced catastrophe. Amazingly, **Nine Lives** not only boasts one Academy Award winner in the aforementioned Spacey but two with the inclusion of the ubiquitous off-the-wall Christopher Walken. The only true sympathetic victim subjected to this tepid tail-wagging tease is the helpless cat forced to carry this Disney-esque dud on its poor furry shoulders.

Noticeably, **Nine Lives** tries to be slick in tackling (or loosely exploiting) the current phenomenon of two separate entities: the popularity of the countless infectious YouTube online cat videos that aim to soothingly please the masses and the satirical profiling of controversial 2016 American presidential hopeful Donald J. Trump (through Spacey’s callous characterization). Granted **Nine Lives** has its occasional brushes with welcomed impishness but for the most part this nutty narrative pussyfoots around in a total lackluster whimper.

Spacey plays a megalomaniac multi-millionaire New York City-based real estate developer named Tom Brand whose specialty in spouting stylish skyscrapers within his congested urban landscape keeps him hungry for more success and business-minded progression. The problem is that Brand’s workload often interferes with spending quality time (or any time for that matter) with second wife Lara (Jennifer Garner in a throwaway role) and impressionable daughter Rebecca (Malina Weissman). Clearly, Brand’s neglect of his loved ones is inexcusable but the boorish tycoon does care for his offspring Rebecca although his tendency to stomp on his employees and rivals comes second nature for him. Nevertheless, Brand wants to ensure that his Rebecca receives a special upcoming 11th birthday gift to remember. After all, she is Daddy’s little princess.

Rebecca happens to be an insane cat lover. Tom, on the other hand, cannot stomach the four-legged cuddly critters. So Brand has no choice but to satisfy his darling’s wishes as he bites the bullet and visits a questionable pet store operated by creepy Felix Perkins (a seemingly disinterested Christopher Walken). Brand dutifully purchases a striking-looking tomcat named Mr. Fuzzypants for Rebecca to relish as her prized present. Suddenly through a convoluted “accident” criminally wealthy Tom Brand becomes comatose. Additionally, he is transported inside the hairy-coated body of Mr. Fuzzypants. And there you have it–Rebecca’s ultimate wish for the ideal birthday gift as having her absent Daddy Dearest Tom and beloved pet cat Mr. Fuzzypants rolled into a 2-for-1 sale package for her to treasure.

Aside from the predictable puns, lame and cutesy dialogue and by-the-numbers sophomoric bits **Nine Lives** drags and feels as relentlessly ragged as a victimized toy mouse at the mercy of an inner city neighborhood feral tabby. Painfully witless and wooden there is not much for the on-screen participants to do in this flea collar farce other than to play second fiddle to the synthetic exploits of the Spacey-voiced CGI domesticated bushy-tailed beast. Sure, it is easy to dismiss **Nine Lives** as mindless entertainment for the indiscriminate rug rats looking for child-like escapism. The youngsters (or oldsters for that matter) are better off chuckling at the mini funny feline features on the Internet as opposed to tolerating this fledgling fantasy about profit-making papas becoming humbled by the outer-body experience of a playfully turbulent tomcat in order to appreciate what his true and genuine riches are at hand–the foundation of family. It is actually a rather nice message to promote for the kids but it is woefully undermined by the forgettable goofiness that persists in this comedic cat-box.

Spacey’s Trump-inspired business-minded blowhard Brand is something that could have been rejoiced in another forum if it was not lazily trapped inside this pointless kid-friendly spectacle. The iconic presence of Walken as the resident eccentric cat whisperer is wasted and forgettable. The ones you truly feel sorry for in this merry-minded mess is the doomed duo of Weissman’s Rebecca and her cat cohort Mr. Fuzzypants as they try to capture the childish spirit. Sadly the adult participants in **Nine Lives** need to have their SAG cards revoked. Not since 1993’s _Look Who’s Talking Now_ has voiceover critters been so relentlessly annoying.

The 87-minute **Nine Lives** feels like it equally drained the single life out of Mr. Fuzzypants and more important–the movie ticket buyers.

**Nine Lives** (2016)

EuropaCorp

1 hr. 27 mins.

Starring: Kevin Spacey, Jennifer Garner, Christopher Walken, Malina Weissman, Teddy Sears, Talitha Bateman, Mark Consuelos, Robbie Amell, Cheryl Hines

Directed by: Barry Sonnenfeld

MPAA Rating: PG

Genre: Comedy/Fantasy & Adventure

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**We learn from our mistakes, but some people from a supernatural accident!**

So another switching body and soul theme, but not as bad as it looks. The problem is, it was so ordinary story, like the writers were never serious about making it big. That is the first thing what this film compromised. That makes it the quality of a television film. I mean the production quality was amazing, including all the graphics parts, but the plot was not developed to greater heights. So falls short to entertain its viewers, especially if you had seen films like 'Fluke' and others. The younger kids might like it, but this film was made keeping in the mind all the ages. So surely anybody can watch this, but the joy is limited.

Very sad to know it was made by 'Men in Black' director. For his capability, this is a silly film. I don't know the reason, maybe he was tricked and the only way out is making this film. Whatever, his presence was what made this film so rich in the technical side. This is the story of a successful businessman who is a proud owner of the tallest building in the northern hemisphere. There's no respect by him for his employees and he totally neglected his family, particularly his young daughter. But one fateful day, his soul gets trapped in a cat and from there, how he's going to make it back is what told with his great struggles.

I would say the cast was decent and so the screenplay, but the CGI cat was awesome, almost flawless for such a small film like this. The story and its events were not explained in details for us like how it had all happened like its logic. Since we are familiar with this type of films, they skipped most important segments and went directly to the story to develop which is actually the struggles like fighting back to break the curse than shaping up it with a neat story. So in my viewpoint, it is okay for watching once. This is a comedy, but you would hardly laugh. Yet much better than those real comedies from the recent times.
_
6/10_

Nine Lives"


Nine Lives online filme gucken



[HD] Nine Lives 2016 Film AZ



Kısa film

Harcandı : $260,302,052

Gelir : $417,655,589

Kategoriler : ein Gesetz dunkle Feinde - Widerstand paradox , Hölle - Kampfkunst , Great - Frühling , Glaube - Betroffene Ethik

Üretici Ülke : Palau

Prodüksiyon : Thats Hollywood





A stuffy businessman finds himself trapped inside the body of his family's cat.
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Senin, 25 Februari 2019

Vice 2018 Film AZ

Vice

Vice Film AZ 2018


süre : 119 tutanak tutmak Wahlstimme
seçim sonucu sayı : 2.2/10 (62283 oy vermek)
özellik : MPG 1080p
BDRip
görmek : 7574
ressamlık : Paradox , Drama
dil : BO,TM,VI,TF,TH,BN,PF,NU,LTU, HUN, EST, BOL, MRT
rakam : 3.9/10 (05865 Votum)



Vice 2018 Film AZ








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Being Australian and under 30, Dick Cheney is not someone I ever payed a lot of attention to. I knew he shot that dude and the dude he shot is the one who had to apologise somehow, and that he was one of the evil puppet-master types who stood behind George W. That's it. So while Cheney as a subject matter isn't something I can say I **care** about, it's also not material that's old hat to me either. I ended up watching it only because that's what my mate wanted to do for his birthday, but I'm glad I did. I did not **love** _Vice_, but for the sort of thing I don't normally gravitate towards, I was riveted.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Pretty enjoyable, very funny, but doesn't tell us anything we didn't already know_**

> _We have guaranteed freedom, security, and peace for a larger share of humanity than has any other nation in all of history. There is no other like us. There never has been. We are, as a matter of empirical fact and undeniable history, the greatest force for good the world has ever known._

- Dick Cheney; _Exceptional: Why the World Needs a Powerful America_ (2015)

As a non-American, I've always been fascinated by the concept of a two party system. Breeding rancour and division by its very nature, with only two sides from which to choose on any issue, the more controversial a subject is, the wider the ideological gap becomes. I'm not sure if it's a cause or a symptom, but intricately intertwined with such deep-rooted partisanship is the fact that everyone seems to be preaching to their own choir; Republicans have Sean Hannity, Tucker Carlson, and Ben Shapiro (and Alex Jones), whilst Democrats have Bill Maher, Anderson Cooper, and Chris Cuomo (and Cenk Uygar). The problem is that the people watching _Fox and Friends_ and reading _Breitbart_ are already staunchly on the right, whilst those watching CNN and reading _The New York Times_ are already firmly on the left; everyone is sermonising to the already converted, and no one is listening to what the other camp is saying. Written and directed by Adam McKay, _Vice_ is a good example of this; it's a left-leaning film made by left-leaning people for a left-leaning audience. When McKay was asked by the _ACLU_ if he had any theories as to why Jared Kushner and Ivanka Trump allegedly walked out of a screening, his response was telling; "_I think the bigger question is: Why did they buy two tickets and walk in?_"

Ostensibly a biopic of former Vice President Dick Cheney, _Vice_ argues that he was actually the _de facto_ President, with George W. Bush taking a back seat, particularly in the globally crucial years from 2001-2003. Very much a political satire in the vein of Decimus Iunius Iuvenalis and Jonathan Swift, or films such as Barry Levinson's _Wag the Dog_ and Joe Dante's _The Second Civil War_ (both 1997), _Vice_ eschews conventional narrative structure, breaks the fourth wall regularly, intercuts shots of fly-fishing and animals hunting into the middle of tense plot-heavy dialogue scenes, features several self-reflexive references to itself, has a false ending, has a scene in which characters speak in iambic pentameter, and in a deleted scene, the entire cast breaks into song. Much as was the case with recent "based on a true story" films such as Spike Lee's _BlacKkKlansman_ and Jason Reitman's _The Front Runner_ (both 2018), _Vice_ has one eye on the here and now, using Cheney's story as a vehicle to examine the current political situation in the US, positing that without the power-mad Dick Cheney and the Unitary Executive Theory, there would never have been a Donald Trump. However, although there are many individual moments of brilliance, the film is unsure if it's a straightforward biopic or an excoriating satire, ultimately finding a kind of ideological middle ground that mixes comedy with pathos, not always successfully.

Narrated by Kurt (Jesse Plemons), a fictitious veteran of the Afghanistan and Iraq Wars, who claims to have a unique connection to Cheney, the film begins in Wyoming in 1963 as a young Dick Cheney (Christian Bale) is arrested for drunk driving for the second time. It then cuts to the Presidential Emergency Operations Center in the immediate aftermath of 9/11, as Cheney orders the shooting down of any suspicious commercial airliners, despite President Bush (who was en route to Washington from Florida) not signing off on such an order. How Cheney got from being a drunk in 1963 to taking control of the government in 2001 is the film's primary focus, introducing us to a huge cast of characters (played by an extraordinary ensemble), all of whom feature in Cheney's rise to power in some manner – Lynne Vincent (Amy Adams), Cheney's fiancée and later wife; Donald Rumsfeld (Steve Carell), under whom Cheney worked from 1969, later White House Chief of Staff (1970-1971) and Secretary of Defense (1975-1977 and 2001-2006); Gerald Ford (Bill Camp), President (1974-1977), for whom Cheney was White House Chief of Staff; George H.W. Bush (John Hillner), President (1989-1993), for whom Cheney was Secretary for Defense; Liz (Lily Rabe) and Mary (Allison Pill), Cheney's two daughters; Roger Ailes (Kyle S. More), founder of Fox News; George W. Bush (Sam Rockwell), President (2001-2009), for whom Cheney was Vice President; Scooter Libby (Justin Kirk), Chief of Staff to the Vice President (2001-2005); David Addington (Don McManus), Cheney's legal counsel (2001-2005) and Chief of Staff to the Vice President (2005-2009); Colin Powell (Tyler Perry), Secretary of State (2001-2005); Condoleezza Rice (LiaGay Hamilton), National Security Advisor (2001-2005) and Secretary of State (2005-2009); Paul Wolfowitz (Eddie Marsan), Deputy Secretary of Defense (2001-2005); George Tenet (Stephen Adly Guirgis), Director of Central Intelligence (1996-2004); Karl Rove (Joseph Beck), Senior Advisor to the President (2001-2007); Trent Lott (Paul Perri), Senate Minority Leader (2001-2003); Jay Bybee (Brandon Firla), Assistant Attorney General (2001-2003); and John Yoo (Paul Yoo) Deputy Assistant Attorney General (2001-2003). Within this framework, the film hits all the beats you'd expect – the bombing of Cambodia (1969-1970); the formation of Al-Qaeda (1988); the outbreak of the Somali Civil War (1988); the invasion of Panama (1989); the Gulf War (1990-1991); Cheney's time as CEO of Halliburton (1995-2000); 9/11 and the invasion of Afghanistan (2001); the "Torture Memos" and "enhanced interrogation techniques" (2002); the invasion of Iraq (2003); the Plame affair (2003); the accidental shooting of Harry Whittington (2006); the rise of IS; Cheney's 13% approval rating upon leaving office (2009); his heart transplant (2012); and the breakdown in Mary's relationship with her family when Cheney gives Liz permission to oppose gay marriage whilst running for the Senate, despite Mary being a married to a woman (2013).

In writing Vice, McKay focused on five main sources – David Corn's _The Lies of George W. Bush: Mastering the Politics of Deception_ (2003), Ron Suskind's _The One Percent Doctrine: Deep Inside America's Pursuit of Its Enemies Since 9/11_ (2006), Michael Isikoff and David Corn's _Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War_ (2006), Barton Gellman's _Angler: The Cheney Vice Presidency_ (2008), and Jane Mayer's _The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals_ (2008).

_Vice_ presents Cheney as devoid of ideology, with a Zelig-esque ability to alter his manner so as to best deal with whomever it is in whose company he finds himself. In this sense, his political ambition is portrayed as cynical and mercenary; McKay's Cheney has no interest in attaining power so as to influence policy or stimulate ideological change, he is obsessed only with power-for-power's sake. One of the most telling scenes in the film happens quite early when he learns that President Richard Nixon and National Security Advisor Henry Kissinger are planning to bomb Cambodia without going through Congress. Asking Rumsfeld, "_what do we believe?_", he is met by Rumsfeld laughing hysterically at being asked such a ridiculous question. Speaking to The New Yorker, McKay explains,

> _what I found – and I know there are people who disagree with this – was a surprising lack of ideology. I found beliefs that would flip and flop, based on what was convenient and what was strategically useful._

However, although the film presents Cheney as lacking ideology, it does show him as passionate when he adopts (and later usurps) the Unitary Executive Theory (essentially, the idea that the President should have virtually unchecked power to direct the Executive Branch, particularly during times of crisis). McKay tells _The New Yorker_,

> _at one point, he even says the President should have certain monarchical prerogatives._

Speaking to _ACLU_, he says of Cheney's adoption of the Theory,

> _you see it constantly throughout his career – his attempts to expand executive reach, expand executive authority, to operate without transparency, to operate with impunity._

Key lines in this respect include Cheney arguing, "_if the president does it, it's legal_", and, when discussing the issue of the US using torture, "_if the US does it, by definition, it can't be torture_".

Nowhere is his character shown as more ruthless than in a scene towards the end of the film. In 2013, Liz is running for the Senate when a TV advert from a group affiliated with the incumbent Senator for Wyoming, Mike Enzi, claimed that she "_aggressively promotes gay marriage_". Mary had been married to Heather Poe since 2012, and although Cheney and Liz knew it went against their party's doctrines, they had supported her. However, the day after the advert aired, Liz appeared on _Fox News Sunday_ and said she did not support gay marriage. The following day, Cheney and Lynne released a statement supporting Liz, and causing a rift between the family and Mary which remains to this day. The film features a scene the night before Liz goes on TV, in which she asks permission to say she opposes gay marriage. In a chilling moment lifted right out of Francis Ford Coppola's _The Godfather Part II_ (1974), Cheney indicates his approval with a single silent nod of his head. Speaking to _ACLU_ about this scene, McKay states,

> _that to me is what made it a complete and total tragedy and that's the final kind of tally, the final destructive count of power. Is what he did to the country, what he did to countries like Iraq, punching holes in the Geneva Convention, what he did to the checks and balances of our democracy, what he did to the spirit of the American voter, the spirit of the American nation. And then the final thing, the tools that he used_ […] _eventually took down his own family. So to me at that point the tragedy was complete on every level: personal, family, country, world._

Much as in _BlacKkKlansman_, _Vice_ concludes with a haunting montage that brings the story up to date, showing some of the long-term effects of the Bush-Cheney years (instability in the Middle East, irreparable damage to the environment, the rise of IS). In relation to the here and now, although Trump is never explicitly mentioned (and is only shown for a split second in archive footage), McKay is unafraid to admit that the film is not entirely focused on the past. Speaking to the _New York Times_ about Cheney's dismantling of executive checks on power, McKay states,

> _Cheney was the expert safecracker who opened up the safe, and now the orangutan is in there, throwing around the money and the jewels._

He also sees the film as something of a corrective, a reminder of just how bad it was during Bush's time in office, telling _ACLU_

> _somewhere along the line, Donald Trump got elected, and all of a sudden we started hearing people say, "Hey, I kind of miss George W. Bush. You know, he wasn't that bad, him and Cheney." And then I really felt like I got to make the movie. I was like, this is crazy that people are saying this._

As with McKay's previous film, _The Big Short_ (2015), _Vice_ is aesthetically audacious. While there are fewer self-reflexive celebratory cameos explaining difficult terminology in direct-to-camera monologues (sadly, there's no Margot Robbie in a bath this time around), the film is edited in such a way as to remind me of Oliver Stone's "horizontal editing" in films such as _JFK_ (1991), _Natural Born Killers_ (1994), _Nixon_ (1995), and _U-Turn_ (1997). It's no coincidence that Vice was cut by Hank Corwin, who cut all of the above except _JFK_. This style of hyperkinetic editing can be seen throughout the film. For example, as Chaney attempts to manipulate Bush into agreeing to give him more power, there are intercepts of fly-fishing. It's not subtle, but it is effective. Indeed, this recalls an earlier scene when Cheney is teaching his daughters to fish, explaining,

> _you have to find out what the fish wants, and then you use that to catch the fish._

Elsewhere, much as Stone uses Coke commercials and footage from old films in _Natural Born Killers_, Vice features excerpts from the Budweiser "Whassup?" commercial (1999) and _Survivor_. In another scene, when Cheney first learns of the Unitary Executive Theory from Antonin Scalia (Matthew Jacobs), he immediately realises it is his road to power, and the film cuts to a lion bringing down a gazelle. For me though, some of the most effective editing in the film is more conventional. One particularly strong example is as Bush declares war on Iraq, the camera tilts down to show his leg is shaking. The film then cuts to a shot of an Iraqi civilian's leg shaking as the bombs begin to drop.

Also similar to _The Big Short_ is the film's sense of humour, with a tone of irreverence established from the very beginning, as the opening legend states,

> _the following is a true story. Or as true as it can be given that Dick Cheney is known as one of the most secretive leaders in recent history. But we did our fucking best._

A particularly sardonic scene comes about an hour in, as the film shows Cheney stepping away from politics in 1993 and later turning down Bush when he asks him to be his running mate in 2000. At this point, the legend explains that Cheney had chosen his family over politics, and that he happily lived out his days in Wyoming, becoming known as a great philanthropist and fly fisherman. As the Cheneys gather around a family barbeque, triumphant music swells, and the closing credits start to roll, only for the movie to interrupt itself, pointing out that that's not what happened at all, and then continuing with the narrative. It's a very meta technique, and one which both mocks feel-good biopics, whilst also providing a sly criticism of Cheney himself – had he not returned in 2000, the world could have had this happy ending.

Another very funny sequence sees Cheney and Lynne in bed discussing whether or not he should accept Bush's offer, with the narrator explaining,

> _sadly there is no real way to know exactly what was going on with the Cheneys at this history-changing moment. We can't just snap into a Shakespearean soliloquy that dramatises every feeling and emotion. That's just not the way the world works._

This is immediately followed by Cheney and Lynne speaking in _faux_-Shakespearean blank verse ("_Hast blindness usurped vision in you my wife?_", "_Mine own blood and will are yours til pierc'd be the last soldier's breastplate, spilling open its jellied ruby treasures_") as they work themselves up into a sexual frenzy (although technically, this is a duologue, not a soliloquy). There is also a scene in which Cheney meets two oil executives, whose faces are blurred out, and whose names are bleeped every time they are spoken. In another scene, a waiter (Alfred Molina), reads from a menu that features various forms of Cheney-endorsed torture;

> _tonight, we're offering the enemy combatant, whereby a person is not a prisoner of war, or a criminal, which means, of course, that he has absolutely no protection under the law._

After listening to their options, Cheney gleefully declares, "_we'll take it all_". There is also a hilarious mid-credit scene, which sees a focus group descend into chaos when a conservative calls a liberal a "_libtard_", prompting a mass brawl. Ignoring the fight, however, are two young girls who are instead interested only in speculating as to the quality of the new _Fast & the Furious_ film.

For all that, however, _Vice_ isn't a patch on _The Big Short_, for a number of reasons. For example, whereas in _The Big Short_, the self-reflexive _Tristram Shandy_-style narrative structure worked to the film's advantage, providing a way into the complex story, here it has the exact opposite effect, oftentimes distracting from McKay's thematic concerns, preventing the film from focusing on telling us how (and why) Cheney exploited loopholes in executive power to restructure US foreign policy. McKay is also less successful at moving from scenes of quiet tragedy to scenes of comedy than he was in _The Big Short_.

The most egregious problem, however, is that the film fails to give any kind of psychological verisimilitude or interiority to Cheney. Presenting him in an almost robotic manner, there is very little on what drives him, depicting his various deeds without offering anything cogent in terms of his motivations. Is he simply an ideologically-weak opportunist? Is he an evil megalomaniac fuelled by a deeper purpose, and if so, what purpose, and how? Could it all really have been about power, viewing the global geopolitical sphere as his own personal playground and nothing more? And if the film is arguing this, suggesting that this man, responsible for so much pain and suffering, did it all simply because he liked power, isn't that to downplay his agency, to allow one to argue that he didn't really know how much damage he was causing? Depriving him of psychology weakens any attempt to censure his actions. The film's Cheney is ultimately unknowable, and that makes his acts more easily forgivable. The argument that it was all because of power and greed really does next-to-nothing to help explain the man. And in any case, if we accept the thesis that Cheney cared only for power, then surely he warrants serious moral scrutiny, not a self-reflexive and, at times, self-congratulatory narrative that assumes the audience agrees with it before it has even said anything.

_Vice_ traces all of Cheney's acts back to Lynne dressing him down when he was younger, suggesting that without her prodding, this unambitious two-time Yale dropout would never have gotten into politics in the first place (it's telling, perhaps, that Lynne is unenthusiastic when she learns Cheney is thinking of accepting Bush's offer to be his running mate, pointing out, "_the VP just sits around and waits for the president to die_"). But to reduce all of it to being told off by wife, seems far too easy, although it could, I suppose, be cited as an example of the banality of evil. Except that the film's Cheney is anything but banal. In fact, he's terrifying.

Cheney pressured the CIA to find links between Al-Qaeda and Saddam Hussein so as to justify invading Iraq. He oversaw the public relations campaign to build popular support for the war. He encouraged the torture of terror suspects all the while denying it was torture. He was responsible for the worst strategic blunder in US history, the growth of a domestic surveillance state, the dictatorialisation of the office of the President, and the deaths of 4,000 American troops and at least 100,000 Iraqi civilians, although possibly as many as 500,000. His contempt for and willingness to rewrite the rule of law makes him a precursor of Trump. Positing him as a man who was power-mad and little else, _Vice_ remains always on the outside, trying to listen through the wall, never managing to open the door and expose his actual inner workings. The comedy and structural experimentation make it entertaining as a film, but it tells us very little about Cheney that we didn't already know. Strip away the artifice, and you'll find it doesn't have a huge amount to say. Never attaining the scale of tragedy to which it clearly aspires, the film functions instead to remind critics of Bush's cabinet why they became critics of Bush's cabinet. In the end, rather than exposing Cheney's dark soul, the film argues that he doesn't have one. And that is a far less interesting thesis.

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George W. Bush picks Dick Cheney, the CEO of Halliburton Co., to be his Republican running mate in the 2000 presidential election. No stranger to politics, Cheney's impressive résumé includes stints as White House chief of staff, House Minority Whip and defense secretary. When Bush wins by a narrow margin, Cheney begins to use his newfound power to help reshape the country and the world.
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Shrek the Musical 2013 Film AZ

Shrek the Musical

Shrek the Musical Film AZ 2013


süre : 143 tutanak tutmak Stimme
karar miktar : 1.9/10 (76974 önermek)
asalet : M2V 720p
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kanı : 6127
beceri : Apple , Gesundheit
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Üretici Ülke : Frankreich

Prodüksiyon : The Bridge





Shrek The Musical is a musical with music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire. It is based on the 2001 DreamWorks Animation's film Shrek and William Steig's 1990 book Shrek! It was nominated for 8 Tony Awards including Best Musical.
On July 19, 2013, following the closure of the national tour and West End productions, Amazon.com confirmed that the filmed performance would be available for instant viewing on September 17, 2013. A DVD, Blu-ray, and digital download was also released on that day.The performance is an edit of several live performances as well as a performance shot without an audience. The original principal cast appear, as well as various alumni across the show's Broadway run. Also, it keeps the song "Donkey Pot Pie" instead of the replacement, "Forever."
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Sabtu, 23 Februari 2019

Hostage 2005 Film AZ

Hostage

Hostage Film AZ 2005


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tip : 1.5/10 (14772 Votum)



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Prodüksiyon : MaXaM Productions





When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
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A Very Harold & Kumar Christmas 2011 Film AZ

A Very Harold & Kumar Christmas

A Very Harold & Kumar Christmas Film AZ 2011


süreç : 173 tutanak tutmak Wählerstimme
önerme hoş şey : 8.6/10 (73212 önermek)
vasıf : WMV 1440p
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Üretici Ülke : Bulgarien

Prodüksiyon : Churchill Films





Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.
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Edge of Tomorrow 2014 Film AZ

Edge of Tomorrow Film AZ 2014 süreç : 164 an Stimmen, seçim sonucu müzik parçası : 0.3/10 (02564 oy kullanmak) kalite : M1V 720p HDTS seyret...

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